In these excerpts of Richards’
journal he discusses the faults of the traditional Doctrine of Usage, making
the point that words alone “mean” nothing in their solidarity. Richard attacks
the doctrine as misinforming readers that words are merely to possess their
sense, bringing this meaning with them regardless of the surrounding words in a
sentence. He acknowledges that the Doctrine of Usage can be interpreted in
different ways that would make it suitable but expands on arguing against its
conventional explanation. By this common understanding, the doctrine undertakes
that the assumption that words all have fixed meanings, of which we will always
know before we read them. So that an author’s tasks is to build up the meaning
of a sentence with these preset building blocks, just as “a mosaic is put
together of discrete independent tesserae” (Richards 55). Richard addresses
that this understanding of the doctrine quickly brings about problems,
especially when leaving out crucial elements. In actuality when we speak or
write, we employ symbolism to convey a “meaning” to a word. This symbolism is
caused by not only the reference we are making but also the purpose for which
we are making it, the proposed effect of the symbol on others, and the author’s
attitude. His example, “we say that the gardener mows the lawn when we know
that it is the lawn-mower which actually does the cutting,” will encounter no
difficulties when the whole matter is considered in more detail (Richards 9). A
word independently has no meaning, no fixed single usage, or even a limited
number of correct uses. Richard’s argument relates to our discussions of remix
so far because just as words are given meaning by their use, other elements of
different mediums are given meaning by their surrounding details and
references. It is the creator, and the symbolism they employ that gives
something it’s meaning and makes it original.
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